Author Archives: fborfwnews

Thunder Bay Art Gallery: Photos and Event Dates

For Better or For Worse: The Comic Art of Lynn Johnston” has arrived in Thunder Bay. It will run from January 15th to March 6th.

Lynn will be visiting Thunder Bay this week.

Listen for Lynn live on the CBC at 7:40 a.m. on Thursday the 21st.  There will be an artist talk and reception at 7:30 p.m. the same night; tickets are available directly from the gallery.

The gallery will also be showing “Unconstrained: Comic Art By Five Emerging Artists” – it will be running at the same time as Lynn’s show, so be sure to experience the work of a new generation of local comic artists while you’re there.  About the show:

Thunder Bay boasts a substantial comic book and graphic novel fanbase, and an abundance of talented artists and illustrators. Featuring selected works by five local artists, this group exhibition offers a glimpse into Thunder Bay’s thriving local comic and sequential art scene.
Artists: Callen Banning | Andrew Garratt Dorland | Kyle Lees | Merk | boy Roland

Meet & Greet with Lynn Johnston:

Friday, January 22 from 11 am – 2:30 pm
Can’t make it to the official opening reception?
Drop by the Gallery to meet the artist and have your book signed!

Some Photos From The Show:

Panorama: Lynn's Show at the Art Gallery of Thunder Bay Panorama: Lynn's Show at the Art Gallery of Thunder Bay

 

Lynn’s Art Exhibition Opens in Thunder Bay Jan, 15th

If you missed seeing Lynn’s art exhibit at the Art Gallery of Sudbury last year, it’s now touring–and will be opening at the Thunder Bay Art Gallery on January 15th. Lynn will be doing an artist’s talk at the Gallery on Thursday January 21st at 7:30pm.

The winter 2016 exhibition season opens Friday, January 15 featuring the work of Pulitzer Prize nominee Lynn Johnston. The exhibition For Better or For Worse: The Comic Art of Lynn Johnston, organized and circulated by the Art Gallery of Sudbury, is a retrospective exhibition of the world famous comic strip.

Also starting Friday is Unconstrained: Comic Art by 5 local emerging artists: Callen Banning, Andrew Garratt Dorland, Kyle Lees, Merk and boy Roland.

Happy New Year! Wall calendars are half price.

Happy New Year everyone! We hope you enjoyed your holidays. We sure did.

If you haven’t got your 2016 wall calendar yet, we’ve still got some in our shop–and they’re half off! This year’s theme is Toys & Noise.

For Better or For Worse 2016 Toys & Noise Calendar

For Better or For Worse 2016 Toys & Noise Calendar

Lynn Talks About Elly’s “Inflatable Nose”

We’ve been asking Lynn questions about certain elements of FBorFW; there are certain things readers have wondered about over the years–and one of them has been Elly’s expanding and shrinking nose. Here’s what Lynn had to say about Elly, and the way she’s drawn:

The inflatable nose just happened. Cartoons, for me, are like thinking in pencil–I draw what I feel, instead of describing it in words. Elly was the character to whom I was most connected, of course, so anything I did concerning Elly was with loads of emotion.

In the early days when my drawings were looser, more fluid, I drew wildly. The expressions on the characters’ faces, their body language, everything was greatly exaggerated. You could feel exactly what they were feeling, because they embodied the emotion. The focus on anatomy and real expressions came later; something which ultimately dampened down the strip.

Anyway, Elly was my emotional twin, so when she was enraged, I drew her the way I felt–with hugely exaggerated features. When she was shy, contrite or sad, I withdrew into her. Her features became smaller and more demure. It was my son, Aaron, who noticed the difference in the way I drew her and told me she had an "inflatable nose".  Even after he pointed this out, I continued to draw her this way, because she had to look the way I felt!

People often asked me why Elly was so ugly. She wasn’t supposed to be ugly–she was supposed to be funny! As the strip matured and new characters like Deanna were added, for example, my drawing style became more illustrative and bodies became more accurate. Deanna was never able to scream, cry, or twist with angst because she was too stiff and realistic.

Ultimately, this was one of the things which made me end the strip. I had "improved" the characters and the  backgrounds until the comedy was gone. As long as Elly was elastic and inflatable, she was funny. What drove me to draw in the first place was the laughs!