Lynn's Comments: This strip left readers wondering and imagining what was happening behind those closed doors. Not showing anything more was a good thing—it kept the strip from becoming too negative, and it gave readers the opportunity to think about what goes on in their own neighbourhoods. You can suspect something is happening, but you might never know for sure.
Lynn's Comments: This is what happened to me when I took my driving exam at the age of 16. The examiner was menacing and brutally strict...and I failed the test!
Lynn's Comments: Here is where I failed my exam. Cars in the 60s were mostly standard shift, so parking on a hill meant using the clutch carefully when pulling out from the curb. I pushed down hard on the gas, took my foot off the clutch, and roared uncontrollably into the parking lot across the street. It happened to be the RCMP building and two police officers were sitting in their cruiser when I rear-ended them. I didn't hit them hard, but I could see one officer's coffee spout from his thermos as the other hit the horn. When the officers got out of the cruiser and saw the car that had hit them, with the "Driving School" sign on the roof, they laughed out loud. I received no ticket, but I knew I'd more than failed the exam. It would take me another year before I had the guts to try again...and the next time, I had a kind and supportive examiner. I passed.
Lynn's Comments: This was done at the time when my parents were leaving their house of many, many years. My mother had more plastic containers than anyone you can imagine.
Lynn's Comments: Around this time, I began to work with another graphic artist. Laura could easily duplicate my style, so with more time to do background details, the art soon became much more complicated. I would draw the strip in pencil, ink the characters, and give her the rest to do. Up until I retired from the strip, Laura became another right hand!
Lynn's Comments: This cartoon shows how "motion" can be suggested by not having the wheels of a vehicle touch the ground. If you were to take a piece of tracing paper, trace the outline of the car and move the image down so that the wheels touch the curve of the road, you would instantly see the car standing still. A shadow underneath adds to the illusion. This is one little trick of the trade!
Lynn's Comments: This is word-for-word from an experience I had while working on animated shows. I got a taxi to the animation studio and met this incredible young man whose outlook on life really resonated with me. Sometime later, a friend, whose life was very up and down, was going through a hard time so I wanted to give her some original art as a gift. I asked which strip she would like and she chose this one.
Lynn's Comments: It is so important to get timing in a daily just right. In a graphic novel, you have so much more freedom, but in a comic strip, there is only so much real estate. I had to divide this one into five panels to get the timing right.
Lynn's Comments: It's hard to draw something like a freeway in a comic strip. There just isn't enough room. When this cartoon was done, the papers were shrinking the size that comics were printed so these images had to be drawn on an angle in order to make them work.